Introducing the Baroque Theorbo

"People complain a lot about the space that I take up". Lutenist Elizabeth Kenny explains how and why the Theorbo was developed in the 17th century, what it was used for, and what it's like to carry it around on the train.

The Baroque theorbo, a plucked string instrument popular from the late 16th to the early 18th centuries, emerged during the Baroque period (approximately 1600-1750). It is a large, extended-necked lute with additional bass strings, designed to provide a richer, deeper sound for accompaniment and solo performance.

During this time, the theorbo was highly valued for its ability to play continuo parts in ensembles, particularly in opera and instrumental music. Its unique timbre, which blends well with other instruments, made it an essential part of the continuo section—a group responsible for providing harmonic support in Baroque music.

The instrument's design evolved to include a long, extended neck with extra strings tuned an octave lower, which allowed for a greater range of bass notes. This made it particularly effective in supporting harmonic and rhythmic foundations in performances.

The theorbo's prominence began to wane in the late 17th and early 18th centuries, as musical tastes shifted and new instruments, like the harpsichord and organ, began to take over its role in continuo playing. Despite its decline in popularity, the Baroque theorbo remains a significant symbol of the era’s rich musical landscape, often revived in modern performances of Baroque music.