Leigh-Anne Pinnock is back—and she’s not playing it safe. Her new solo single, “Been a Minute,” marks a turning point in her career, bursting with energy, nostalgia, and a sharp sense of self. Released on July 18th under Virgin Music Group, it’s her first release as a fully independent artist, and it sounds exactly like freedom.
With a bassline that rattles the bones and an infectious Caribbean bounce, “Been a Minute” feels like a summer anthem baked in confidence. The track samples the hook from the early 2000s club classic “Work” by Masters at Work, but spins it with Leigh-Anne’s signature blend of pop polish and rhythmic soul. It’s a nod to the dancefloors she grew up on—and a declaration that she’s back on her own terms.
Produced by Elijah “GYW Eli” Ross and Lasse Qvist, the song combines warm, club-ready production with slick vocals and just the right amount of attitude. Leigh-Anne has described it as fun, nostalgic, and the first true taste of her new musical era.
The music video, directed by Femi Lade, turns the vibe all the way up. Bright, glowing visuals and vibrant carnival-inspired scenes radiate joy and freedom. Leigh-Anne moves through the space like a queen at her own afterparty—unbothered, unapologetic, and completely in her element. The video closes with a mysterious doppelgänger twist, teasing what’s to come in this visually rich new chapter.
After departing from Warner Records and her earlier EP No Hard Feelings, Leigh-Anne has embraced creative control with open arms. She’s not just performing—she’s steering the ship. Every visual choice, every lyrical shift, every pulse of the beat reflects a woman who knows who she is and isn’t afraid to show it.
Reception to “Been a Minute” has been overwhelmingly positive. Fans are calling it the UK’s song of the summer. Critics are praising the boldness of her independence. And Leigh-Anne herself seems ready to keep that momentum going. A full solo album is already in the works, promising even more of her unique voice and vibrant storytelling.
In short: “Been a Minute” is not just a comeback. It’s a statement. It’s bass-heavy liberation. It’s carnival heat with pop precision. It’s Leigh-Anne, finally unleashed.
And honestly? It was worth the wait.
